Category: TRANSCIENCE

  • From The Screwtape Letters—a fictional work written from a senior demon’s perspective, advising a junior tempter.

    Our business is to get them away from the eternal, and from the Present. With this in view, we sometimes tempt a human (say a widow or a scholar) to live in the Past.

    The Screwtape Letters
    C. S. Lewis

  • From The Screwtape Letters—a fictional work written from a senior demon’s perspective, advising a junior tempter.

    And Nothing is very strong: strong enough to steal away a man’s best years not in sweet sins but in a dreary flickering of the mind over it knows not what and knows not why, in the gratification of curiosities so feeble that the man is only half aware of them, in drumming of fingers and kicking of heels, in whistling tunes that he does not like, or in the long, dim labyrinth of reveries that have not even lust or ambition to give them a relish, but which, once chance association has started them, the creature is too weak and fuddled to shake off.

    The Screwtape Letters
    C. S. Lewis

  • From The Screwtape Letters—a fictional work written from a senior demon’s perspective, advising a junior tempter.

    The long, dull, monotonous years of middle-aged prosperity or middle-aged adversity are excellent campaigning weather. You see, it is so hard for these creatures to persevere. The routine of adversity, the gradual decay of youthful loves and youthful hopes, the quiet despair (hardly felt as pain) of ever overcoming the chronic temptations with which we have again and again defeated them, the drabness which we create in their lives and the inarticulate resentment with which we teach them to respond to it—all this provides admirable opportunities of wearing out a soul by attrition. If, on the other hand, the middle years prove prosperous, our position is even stronger. Prosperity knits a man to the World. He feels that he is ‘finding his place in it’, while really it is finding its place in him. His increasing reputation, his widening circle of acquaintances, his sense of importance, the growing pressure of absorbing and agreeable work, build up in him a sense of being really at home in earth, which is just what we want.

    The Screwtape Letters
    C. S. Lewis

  • If, as we grow older, we scrutinize our own past at the expense of “problems,” it is simply because we handle memories more readily than ideas.

    The Trouble With Being Born
    Emil Cioran

  • The same feeling of not belonging, of futility, wherever I go: I pretend interest in what matters nothing to me,

    The Trouble With Being Born
    Emil Cioran

  • I think perfectionism is based on the obsessive belief that if you run carefully enough, hitting each stepping-stone just right, you won’t have to die. The truth is that you will die anyway and that a lot of people who aren’t even looking at their feet are going to do a whole lot better than you, and have a lot more fun while they’re doing it.

    Bird by Bird: Some Instructions on Writing and Life
    Anne Lamott

  • Everything had left her—the innocence, the crying, the dutiful outings with her father, the life she had never lived. All these weigh something.

    Light Years
    James Salter

  • Because I am thinking so much about the past these days I have come to see that the past is always changing, is never static, never “placed” forever like a book on a shelf. As we grow and change, we understand things and the people who have influenced us in new ways.

    The House by the Sea: A Journal
    May Sarton

  • It’s not that I want to die myself, Heaven knows, but the basic pattern of a life changes radically when there is no one left, for instance, who remembers one as a child.

    The House by the Sea: A Journal
    May Sarton

  • When I was young death was a romantic dream, longed for at times of great emotional stress as one longs for sleep. Who could fear it? one asked at nineteen. We fear what we cannot imagine. There is simply no way of imagining what has not yet happened nor been described. We live toward it, not knowing … except that intense love of life has to be matched by greater detachment as one grows older.

    The House by the Sea: A Journal
    May Sarton