• Failure of one often leads to distrust of all. This is the terrible responsibility of friendship. We have more than the happiness of our friend in our power; we have his faith. Most men who are cynical about women are so because of the inconstancy of one.

    Most sneers at friendship are, to begin with at least, the expression of individual pain, because the person has known the shock of the lifted heel. Distrust works havoc on the character, for it ends in unbelief of goodness itself. And distrust always meets with its own likeness and is paid back in its own coin. Suspicion breeds suspicion, and the conduct of life on such principles becomes a tug-of-war.

    The Art of Being a Good Friend
    Hugh Black

  • However it happen that friends are separated, it is always sad, for the loss of a friendship is the loss of an ideal. Sadder than the pathos of unmated heart is the pathos of severed souls. It is always a pain to find a friend look on us with cold stranger’s eyes and to know ourselves dead of hopes of future closeness. It is a pain even when we have nothing to blame ourselves with, but much more so when we feel that ours is the fault.

    The Art of Being a Good Friend
    Hugh Black

  • We sometimes wonder to find a friend cold and distant to us, and perhaps we moralize on man’s fickleness and inconstancy, but the reason may be to seek in ourselves. We cannot expect the pleasure of friendship without the duty, the privilege without the responsibility. We cannot break off the threads of the web, and then, when the mood is on us, continue it as though nothing had happened. If such a breakage has occurred, we must go back and patiently join the threads together again.

    Thoughtlessness has done more harm in this respect than has ill will. If we have lost a friend through selfish neglect, the loss is ours, and we cannot expect to take up the story where we left off years ago. There is a serene impudence about the treatment some mete out to their friends, dropping their friends whenever it suits them and thinking to take them up when it once more happens to suit them. We cannot expect to walk with another when we have gone for miles along another way. We will have to go back and catch him up again. If the fault has been ours, desire and shame will give our feet wings.

    The Art of Being a Good Friend
    Hugh Black

  • To appear for a little time and then vanish away is the outward biography of all men, a circle of smoke that breaks, a bubble on the stream that bursts, a spark put out by a breath.

    The Art of Being a Good Friend
    Hugh Black

  • But death is the climax of life.

    The Art of Being a Good Friend
    Hugh Black

  • It is always a temptation, which grows stronger the longer we live, to look back instead of forward, to bemoan the past, and thus deride the present and distrust the future. We must not forget our present blessings, the love we still possess, the gracious influences that remain, and, most of all, the duties that claim our strength.

    The Art of Being a Good Friend
    Hugh Black

  • On the whole, however, it is not our own liability to death that oppresses us. The fear of it to a brave person, not to speak of a person of faith, can be overcome. It is the fear of it for others whom we love that is its sting. And none of us can live very long without knowing in our own heart’s experience the reality, as well as the terror, of death. This, too, has its meaning for us, to look at life more tenderly and touch it more gently. The pathos of life is only a forced sentiment to us if we have not felt the pity of life. To a sensitive soul, smarting with his own loss, the world sometimes seems full of graves and, for a time at least, makes him walk softly among others.

    This is one reason why the making of new friends is so much easier in youth than later on. Friendship comes to youth seemingly without any conditions and without any fears. There is no past to look back at with much regret and some sorrow. We never look behind us until we miss something. Youth is satisfied with the joy of present possession. To the young, friendship comes as the glory of spring, a very miracle of beauty, a mystery of birth; to the old, it has the bloom of autumn, beautiful still, but with the beauty of decay. To the young, it is chiefly hope; to the old, it is mostly memory. The person who is conscious that he has lost the best of his days, the best of his powers, and the best of his friends naturally lives a good deal in the past.

    The Art of Being a Good Friend
    Hugh Black

  • For one thing, it must mean the hallowing of memory. The eclipse of love makes the love fairer when the eclipse passes. The loss of the outward purifies the affection and softens the heart. It brings out into fact what was often only latent in feeling. Memory adds a tender glory to the past. We think of only the virtues of the dead; we forget their faults. This is as it should be. We rightly love the immortal part of them; the fire has burned up the dross and left pure gold. If it is idealization, it represents that which will be, and that which really is.

    We do not ask to forget; we do not want the so-called consolations that time brings. Such an insult to the past, as forgetfulness would be, means that we have not risen to the possibilities of communion of spirit afforded us in the present. We would rather that the wound should be ever fresh than that the image of the dear past should fade. It would be a loss to our best life if it would fade. There is no sting in such a faith. Such remembrance as this, which keeps the heart green, will not cumber the life. True sentiment does not weaken, but becomes an inspiration to make our life worthy of our love. It can save even a squalid lot from sordidness; for however poor we may be in the world’s goods, we are rich in happy associations in the past, and in sweet communion in the present, and in blessed hope for the future.

    The Art of Being a Good Friend
    Hugh Black

  • Some seek to be initiated into the mysteries of iniquity, in idle or morbid curiosity, perhaps to write a realistic book, or to see “life,” as it is called. There is often a prurient desire to explore the tracts of sin, as if information on such subjects meant wisdom. If men are honest with themselves, they will admit that they join the company of sinners for the relish they have for the sin. We must first obey the moral command to come out from among them and be separate, before it is possible for us to meet them like Christ. Separateness of soul is the law of holiness. Of Christ, of whom it was said, “This man receiveth sinners,” it was also said that He was “separate from sinners.” The knowledge of wickedness is not wisdom, neither is the counsel of sinners prudence. Most young people know the temptation here referred to, the curiosity to learn the hidden things and to have the air of those who know the world.

    If we have gone wrong here, and have admitted into the sanctuary of our lives influences that make for evil, we must break away from them at all costs. The sweeter and truer relationships of our life should arm us for the struggle, the prayers of a mother, the sorrow of true friends. This is the fear, countless times, in the hearts of the folks at home when their boy leaves them to win his way in the city, the deadly fear that he should fall into evil habits and into the clutches of evil people. They know that there are people whose touch, whose words, whose very look, is contamination. To give them entrance into our lives is to submit ourselves to the contagion of sin.

    The Art of Being a Good Friend
    Hugh Black

  • The greatest in the Kingdom of Heaven are not those who belong to the “more perfect state,” but those who love and suffer most. This is why they can move ahead of so many others whose lives, apparently, were more successful.

    VIRGINITY
    A Positive Approach to Celibacy for the Sake of the Kingdom of Heaven

    Raniero Cantalamessa, OFM Cap